A maximalist tour: 4 design spaces

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Maximalism, whether or not within the type of brilliant colors, sample drenching, assertion furnishings, or dramatic lighting, is a design development going robust in 2025. Notably, there’s a vital shift in the direction of maximalism not simply in residential interiors but in addition in business spaces equivalent to places of work, cafés, eating places and boutique shops. “Today’s commercial environments are no longer confined to sterile or muted aesthetics. They are becoming more expressive, layered, and bold,” says Pooja Gupta, founder and principal designer of I Design Studios. “Businesses are recognising the power of design in storytelling and customer engagement. Maximalism offers the perfect canvas to do just that. Through a rich mix of colours, eclectic patterns, and tactile textures, we help brands create immersive spaces that reflect their identity, evoke emotion, and leave a lasting impression on every visitor,” she provides.

This development displays a broader shift in how spaces are being seen and utilised.

“Purely functional spaces such as workplaces, restaurants, and retail stores are also becoming expressions of culture, identity, and mood. In addition to being aesthetically pleasing, these spaces help promote increased brand recall and facilitate a positive and inspiring experience for those who work in these settings,” says Harkaran Singh Boparai, founder and principal architect of Harkaran Boparai Studio (HBS), a world design agency that’s positioned in New Delhi, Amritsar and Dubai.

“Practical materials with luxurious finishes are often used, and ample storage and smart layouts help maintain flow and usability”Pooja GuptaFounder and principal designer of I Design Studios

Commercial interiors immediately are a cautious orchestration of unconventional color palettes, artwork installations, daring wallpaper, curated objects, and classic finds. “You will find jewel tones paired with natural wood, vintage textiles juxtaposed with contemporary art, and lighting that ranges from ornate chandeliers to sculptural wall sconces. Another common element is the use of feature walls, often with patterned wallpapers or textured surfaces,” Boparai continues.

However, the important thing lies in balancing this visible richness with performance, whereas enhancing productiveness and supporting consolation. This is commonly achieved by clear zoning, considerate spatial planning, versatile furnishings, and using supplies that aren’t solely aesthetic but in addition simple to make use of and preserve. “Practical materials with luxurious finishes are often used, and ample storage and smart layouts help maintain flow and usability,” provides Gupta.

Inspired by outdated Delhi’s chowks

Harkaran Boparai Studio (HBS) flagship workplace in New Delhi

Using light and shadow for cinematic depth.

Using gentle and shadow for cinematic depth.
| Photo Credit:
AVESH GAUR

The HBS flagship workplace in New Delhi attracts inspiration from the layered vitality of outdated Delhi’s chowks (conventional squares). Spread throughout three ranges and over 4,500 sq. ft., the workplace embraces a narrative-driven method to spatial design.

“The space, which is functionally divided into work, hospitality, and collaborative zones, features teak wood, floral fabrics reminiscent of vintage salons, fluted glass panels, and classic brass fittings. The colour palette is layered yet controlled with soft ice blues, dusty pinks, browns, and warm neutrals that create a nuanced backdrop for every space. Lighting is a mix of natural light, chandeliers, and sconce lighting, which create a sense of theatre and intimacy,” says Boparai.

The Darbar space or the entry house is without doubt one of the highlights of the mission, and takes inspiration from the traditional British tea rooms. It creates a heat, nostalgic atmosphere that captures the genuine character of a bygone period. Layered textures, floral upholstery, white trims, and ice-blue partitions add to the appeal. From period-style armoires and thoroughly positioned artefacts to high-back chairs and elaborately carved picket tables, the workplace’s assertion furnishings is a examine in maximalism.

Cultural escape

Amiraah, multidesigner retailer in Kanpur by I Design Studios

Velvet-upholstered seating.

Velvet-upholstered seating.
| Photo Credit:
Deepak Aggarwal

An interaction of Indian cultural heritage and up to date components is seen on this 7,000 sq. ft. retailer positioned within the coronary heart of Kanpur. Key options embrace arches, vintage-inspired furnishings, ornate finishes, and thoroughly curated artwork items. 

A colourful corner with bold hues, mirrors, and pendant lights.

A vibrant nook with daring hues, mirrors, and pendant lights.
| Photo Credit:
Deepak Aggarwal

“The materials used are plush and indulgent. From velvet and brocade to antique metallic accents, they all create tactile richness. The colour palette leans into jewel tones and includes deep emeralds, rubies, and luxurious golds, lending warmth and drama to the interiors. The spatial flow is intuitive and seamless, with curated zones transitioning effortlessly between bridal couture, festive wear, contemporary pieces, and accessories,” says Gupta. 

Modern royals

KOKO, Asian fine-dining restaurant in Hyderabad by Essajees Atelier

(*4*)

The beige travertine and emerald marble bar designed by Sarah Sham, principal architect, Essajees Atelier.
| Photo Credit:
SHAMANTH PATIL J

Spread throughout a whopping 10,000 sq. ft., this house gives diners a classy and trendy expertise, mixing Asian regal opulence and trendy design. The softly backlit crimson-hued tunnel on the entrance units the tone for the grandiose interiors, which function marble flooring, lacquered wooden accents, veneer partitions, and complex metalwork. The pure grain patterns of the wooden within the veneer create a visually fascinating impact. Seating with velvet upholstery, brass accents, and the color palette of deep emerald inexperienced, gold, and black exude a way of luxurious. “We have installed 200-ft. handcrafted origami lights in one part of the restaurant. They are made from a set of paper-like panels that are freely suspended from the ceiling, creating a flowy, whimsical pattern, which adds an element of intrigue to the overall space,” says Sarah Sham, principal architect, Essajees Atelier, a worldwide design firm that gives luxurious interiors.

Ode to Indian craft & tradition

Abu Jani & Sandeep Khosla’s new retailer, Jio Plaza in Mumbai by A Wonder Room (inside design vertical by Jani & Khosla)

Abu Jani & Sandeep Khosla’s new store Jio Plaza in Mumbai.

Abu Jani & Sandeep Khosla’s new retailer Jio Plaza in Mumbai.
| Photo Credit:
S.Thiru

Designer duo Abu Jani & Sandeep Khosla have all the time embraced maximalism. “Nothing creates another world like maximalism does. Every element invites you into another dimension, and it is a design language we have been using since the beginning of our four-decade career. Back then, it wasn’t a trend, but we stayed true to our vision, and we are glad the world is catching up to the grand beauty and joy that the aesthetic evokes,” says Khosla. To say that their newly opened 3,000 sq. ft. retailer in Mumbai’s Jio World Plaza is opulent and awe-inspiring is an understatement. Magnificent chandeliers, quilted curtains with mirror embroidery, bevelled mirror ceilings, and partitions that includes hand-embroidered panels make all the retailer seem to be an encyclopaedia of artwork and craft.

“The space is brimming with India’s majestic crafts taken to their maximal zenith. Inspired by the concept of a wonder room, we have created rooms within rooms with a tent adorned with various embroidery techniques. We have used several handicrafts to turn the store into an unforgettable symbol of India’s breathtaking beauty,” provides Jani. Techniques like embossing, slicing, and quilting take textures and layering to a different stage right here.

A majestic tent, crafted from embroidered wall panels and quilted curtains.

A majestic tent, crafted from embroidered wall panels and quilted curtains.
| Photo Credit:
S.Thiru

A noteworthy element is the ‘Shola’ work of Kolkata, which is abundantly featured within the retailer within the type of majestic peacock shows whose feathers have been intricately handcrafted from the interior ivory pith of the ‘Shola’ plant. Similarly, bushes and flowers with delicate blooms and masks of unimaginable intricacy, all made solely by hand, adorn the house. Ajrakh upholstery, Abla embroidered work, and Patola patterns are different components that lend the house a particular vibe.

The Bengaluru-based freelance author is enthusiastic about all issues design, journey, meals, artwork and tradition.

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